ABSTRACT
Paint brushes are modeled as a collection of bristles which evolve over the course of the stroke, leaving a realistic image of a sumi brush stroke. The major representational units are (1) Brush: a compound object composed of bristles, (2) Stroke: a trajectory of position and pressure, (3) Dip: a description of the application of paint to a class of brushes, and (4) Paper: a mapping onto the display device. This modular system allows experimentation with various stochastic models of ink flow and color change. By selecting from a library of brushes, dips, and papers, the stroke can take on a wide variety of expressive textures.
- 1.Benton, Stephen A., "Holographic Displays- A Review," OpHcal Engineering 14, 5, Sept-Oct 1975.Google Scholar
- 2.Buxton, W., Hill, R., and Rowley, P., "Issues and Techniques in Touch-Sensitive Tablet Input," Computer Graphict 19~ 3, July 1985: pp. 215-224. Google Scholar
Digital Library
- 3.Ginsberg, C., and Maxwell, D., "Graphical Marionette," Proc. A CM SIGGRAPH/SIGART Workshop on Motion, April 1983, pp. 172-179. Google Scholar
Digital Library
- 4.Greene, Richard, "The Drawing Prism: A Versatile Graphic Input Device," Computer Graphics 19~ 3, July 1985, pp. 103-110. Google Scholar
Digital Library
- 5.Lewis, John-Peter, "Texture Synthesis for Digital Painting," Computer Graphics 18: 3, July 1984, pp. 245-251. Google Scholar
Digital Library
- 6.Minsky, Margaret, ~Manipu}ating Simulated Objects with Real-world Gestures using a Forcc and Position Sensitive Screen," Computer Graphics 18~ 3, July 1984, pp. 195-203. Google Scholar
Digital Library
- 7.Rogers, David F., "Procedural Elements for Computer Graphics," McGraw-Hill, New York, 1985. Google Scholar
Digital Library
- 8.Sato, Shozo, "The Art of Sumi-e'" (in English), Kodansha International, Tokyo, 1984.Google Scholar
- 9.Schmandt., Chris, "Spatial I~put,/Display Correspondence in a Stereoscopic Computer Graphic '~~orkstation,~ Computer Graphics 17, 3, July 1983, pp. 253- 257. Google Scholar
Digital Library
- 10.Strassm~nn, Steve, ~'Hairy Brushes in Computer~ Generated Images," M.S. Thesis, MIT Media Laboratory, June 1986.Google Scholar
- 11.Whirred, Turner, ~'Anti-aliasecl Line Drawing Using Brush Extrusions" Computer Graphics 17, 3, July } 983, pp. }5}-} 56. Google Scholar
Digital Library
- 12.Wolfram, Stephen, "Cellular Automata as Models of Complexity," Nature 311~ 4, 1984~ pp. 419-424.Google Scholar
Index Terms
Hairy brushes
Recommendations
Hairy brushes
Paint brushes are modeled as a collection of bristles which evolve over the course of the stroke, leaving a realistic image of a sumi brush stroke. The major representational units are (1) Brush: a compound object composed of bristles, (2) Stroke: a ...
Detail-preserving paint modeling for 3D brushes
NPAR '10: Proceedings of the 8th International Symposium on Non-Photorealistic Animation and RenderingRecent years have witnessed significant advances in 3D brush modeling and simulation in digital paint tools. Compared with traditional 2D brushes, a 3D brush can be both more intuitive and more expressive by offering an experience closer to wielding a ...
Hand-painted animation with intelligent brushes
CASA'2008 Special IssueIn this paper we argue for the concept of brushes and pigments enhanced with behavioural intelligence as a complement to established 2D computer animation techniques. Our approach allows the user to enrich and animate interactively created images by ...





Comments