ABSTRACT
Data materialization is a workflow developed to create 3D objects from data-informed designs. Building upon traditional metalwork and craft, and new technology's data visualization with generative art, this workflow expresses conceptually relevant data through 3D forms which are fabricated in traditional media. The process allows for the subtle application of data in visual art, allowing the aesthetic allure of the art object or installation to inspire intellectual intrigue. This paper describes the technical and creative process of Modern Dowry, a silver-plated 3D-print teapot on view at the Museum of the City of New York, June 2017--June 2018.
Supplemental Material
- T. Miller, 2001: A Digital Odyssey. SIGGRAPH Electronic Theater Opening Sequence. Los Angeles, California, 12--17 August 2001.Google Scholar
- D. Brock, "Past Forward: World's Most Famous Teapot," IEEE Spectrum 54, No. 11, 68 (2017).Google Scholar
Cross Ref
- J. Falino, personal communication, 6 October 2016.Google Scholar
- R. Kosara, "Visualization Criticism---The Missing Link Between Information Visualization and Art," in Proceedings of the 11th International Conference on Information Visualisation (InfoVis) (2007) pp. 631--636. Google Scholar
Digital Library
- T. Skog, S. Ljungblad and L.E. Holmquist, "Between Aesthetics and Utility: Designing Ambient Information Visualizations," in Proceedings IEEE Symposium on Information Visualization (InfoVis) (2003) pp. 30--37. Google Scholar
Digital Library
- Y. Jansen et al., "Opportunities and Challenges for Data Physicalization," in Proceedings of the ACM Conference on Human Factors in Computing Systems (CHI), April 2015 (New York: 2015): <http://chi2015.acm.org>; <hal-01120152>. Google Scholar
Digital Library
- N. Miebach, Nathalie Miebach: Artist Statement (2018): <http://nathaliemiebach.com/statement.html> (retrieved 1 April 2018).Google Scholar
- D. Bucci, Doug Bucci: About (2018): <www.dougbucci.com/about/> (retrieved 1 April 2018).Google Scholar
- J. Zhao and A.V. Moere, "Embodiment in Data Sculpture: A Model of the Physical Visualization of Information," in Proceedings of the 3rd International Conference on Digital Interactive Media in Entertainment and Arts (DIMEA '08) (New York: ACM, 2008) 343--350. Google Scholar
Digital Library
- L. Manovich, "Data Visualization as the New Abstraction and as the Anti-Sublime," Small Tech: The Culture of Digital Tools, eds. Byron Hawk, David M. Rieder, Ollie Oviedo (Minneapolis, MN: Univ. of Minnesota Press, 2008).Google Scholar
- K. Hamilton et al., Arts, Critical Media, and Interdisciplinary Scholarship 2017 (a2ru Conference Plenary Panel, 3 November 2017).Google Scholar
Recommendations
Materialization of interactive stereoscopic artwork based on hand-painted images
This paper presents interactive stereoscopic artwork and an algorithm for natural artistic expression using hand-painted images expressed by the artist's manual brush strokes. The system proposes a new interactive method that allows a viewer to ...




Comments