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abstract

Fuzzy Boundary (An Embroidery Installation)

Published:24 July 2022Publication History

ABSTRACT

This installation provides a hands-on attendee experience with procedural design workflows and programmable machine embroidery that connect various domains including biomimicry, visualization, and product design. Situated within contemporary studio craft practices of digitizing the handcrafts, this work recognizes time-based computation as machine agent for bio-logical pattern generation, and programmable machine embroidery as the realization of structural biomimicry. Critical making is a form of research and practice among contemporary craft artists, and such studio activity is a design methodology employing various material and technical explorations that are by nature complex interdisciplinary relations. Fuzzy Boundary (An Embroidery Installation) represents redefining educational relationships among 21st century industrial design practice, and visualization.

References

  1. Yi-Chin Lee and Daniel Cardoso Llach. 2020. Hybrid embroidery: exploring interactive fabrication in handcrafts. In In the Proceedings of Association for Computing Machinery SIGGRAPH ’20: Art Gallery. ACM, New York, NY, 429–433. https://doi.org/10.1145/3386567.3388575Google ScholarGoogle ScholarDigital LibraryDigital Library
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  5. Ursula Wolz, Michael Auschauer, and Andrea Mayr-Stalder. 2019. Programming embroidery with turtlestitch. In In Proceedings of Association for Computing Machinery SIGGRAPH 2019 Studio. ACM, New York, NY, 1–2. https://doi.org/10.1145/3306306.3328002Google ScholarGoogle ScholarDigital LibraryDigital Library

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    • Published in

      cover image ACM Conferences
      SIGGRAPH '22: ACM SIGGRAPH 2022 Labs
      July 2022
      14 pages
      ISBN:9781450393676
      DOI:10.1145/3532725

      Copyright © 2022 Owner/Author

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      Association for Computing Machinery

      New York, NY, United States

      Publication History

      • Published: 24 July 2022

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