skip to main content
article
Free Access

The integration of subjective and objective data in the animation of human movement

Authors Info & Claims
Published:01 July 1980Publication History
Skip Abstract Section

Abstract

Animation of human movement can be based either on analog inputs derived directly from actual movements or on symbolic inputs chosen to produce the desired movement. The former type of input can be quite accurate and objective but is a description of the required movement whereas the latter is often quite imprecise and subjective but provides an analysis of the required movements. Two existing systems for a computer based animation are being used to explore the problems involved in integrating such inputs. Specifically, animation driven by analog signals from electro-goniometers is integrated with animation derived from Labanotation commands; the results are illustrated with a short movie.

References

  1. 1 Birdwhistell, R.L., Kinesics and Context: Essays on Body Motion Communication, University of Pennsylvania Press (1970).Google ScholarGoogle Scholar
  2. 2 Benesh R. and J., An Introduction to Benesh Dance Notation, A. and D. Black, London (1956).Google ScholarGoogle Scholar
  3. 3 Eshkol, N. and Wachmann, R., Movement Notation, Weidenfeld and Nicholson, London (1958).Google ScholarGoogle Scholar
  4. 4 Hutchinson, A., Labanotation, Theatre Arts Books, New York (1970).Google ScholarGoogle Scholar
  5. 5 Eshkol, N., Melvin, P., Mitchel, J., Von Foerster, H., and Wachman, A., Notation of Movement, Report BCL 10.0, Department of Electrical Engineering, University of Illinois, Urbana, Illinois (1970).Google ScholarGoogle Scholar
  6. 6 Archer, L.B., A Study of Computer Aided Choreography, Royal College of Art, London (1975).Google ScholarGoogle Scholar
  7. 7 Wolofsky, Z., Computer Interpretation of Selected Labanotation Commands, M.Sc. Thesis, Kinesiology Department, Simon Fraser University, Burnaby, B.C., Canada (1974).Google ScholarGoogle Scholar
  8. 8 Savage, G.J. and Officer, J.M., Choreo: An interactive computer model for choreography, Proc. 5th Man-Machine Communication Conference, Calgary, Alberta, (1977).Google ScholarGoogle Scholar
  9. 9 Weber, L., Smoliar, S.W., and Badler, N., An architecture for the simulation of human movement, ACM Conference, pp. 737-745 (1978). Google ScholarGoogle ScholarDigital LibraryDigital Library
  10. 10 Smoliar, S.W. and Weber, L., Using the computer for the semantic representation of labanotation, in Lusignan, S. and North, J.S. (eds), Computing in the Humanities, University of Waterloo Press, Waterloo (1977).Google ScholarGoogle Scholar
  11. 11 Barenholtz, J., Wolofsky, Z., Ganapathy, I., Calvert, T.W., and O'Hara, P. Computer interpretation of dance notation, in Lusignan, S., and North, J.S. (eds), Computing in the Humanities, pp. 235-240, University of Waterloo Press, Waterloo (1977).Google ScholarGoogle Scholar
  12. 12 Calvert, T.W. and Chapman, J., Notation of movement with computer assistance, Proc. 1978 ACM Conference, pp. 731-734, (1978). Google ScholarGoogle ScholarDigital LibraryDigital Library
  13. 13 Brown, M., A Graphic Editor for Labanotation, MSE Thesis, University of Pennsylvania (1976).Google ScholarGoogle Scholar
  14. 14 Cousins, S. J., Hannah, R.E., Foort, J., A clinically viable electrogoniometer, 2nd Annual Int. Conf. on Rehab. Eng., Atlanta, Georgia (1979).Google ScholarGoogle Scholar
  15. 15 Hoff, F., Dance notation preserved at Motsuji, Dance Research Journal, Vol. 9, pp. 1-4 (1977).Google ScholarGoogle ScholarCross RefCross Ref
  16. 16 Strauss, G.B., Wing, C., and Yuen-wah, L., Translated excerpts of Chinese dance notation,# Dance Research Journal, Vol. 9, pp. 6-11, (1977).Google ScholarGoogle Scholar
  17. 17 Grieve, D.W. and Cavanaugh, P.R., How EMG patterns and limb movements are related to speed of walking, pp. 9-15 in Human Locomotor Engineering, Institution of Mechanical Engineers, London (1971).Google ScholarGoogle Scholar
  18. 18 Benesh, R. and McGuinness, J., "Benesh movement notation and medicine", Psysiotherapy, 60, pp. 176-178 (1974).Google ScholarGoogle Scholar

Index Terms

  1. The integration of subjective and objective data in the animation of human movement

        Recommendations

        Comments

        Login options

        Check if you have access through your login credentials or your institution to get full access on this article.

        Sign in

        Full Access

        • Published in

          cover image ACM SIGGRAPH Computer Graphics
          ACM SIGGRAPH Computer Graphics  Volume 14, Issue 3
          July 1980
          327 pages
          ISSN:0097-8930
          DOI:10.1145/965105
          Issue’s Table of Contents

          Copyright © 1980 ACM

          Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

          Publisher

          Association for Computing Machinery

          New York, NY, United States

          Publication History

          • Published: 1 July 1980

          Check for updates

          Qualifiers

          • article

        PDF Format

        View or Download as a PDF file.

        PDF

        eReader

        View online with eReader.

        eReader